Feminist film theory: a reader
Part I : Taking up the struggle
1. Sharon Smith: " The image of women in film: some suggestions for future research"
2. Molly Haskell: "The Women's film"
3. Claire Johnston: "Women's cinema as counter-cinema"
4. B. Ruby Rich: "The crisis of naming in feminist film criticism"
Part II : The language of theory
5. Laura Mulvey: "Visual pleasure and naarative cinema"
6. Mary Ann Doane: "Caught and Rebecca: the inscription of feminity as absence"
7. Teresa de Lauretis: "Oedipus interruptus"
8. Kaja Silverman: "Lost objects and mistaken subjects"
Part III : The female spectator
9. Michelle Citron, Julia Lesage, Judith Mayne, B. Ruby Rich, Anna Marie Taylor and the editors of New German Critique: "Women and film: a discussion of feminist aesthetics"
10. Laura Mulvey: "Afterthoughts on 'Visual pleasure and narrative cinema' Inspired by King Vidor's Duel in the sun (1946)"
11. Mary Ann Doane: "Film and the masquerade: theorising the female spectator"
12. Annette Kuhn: "Women;s genres: melodrama, soap opera and theory"
Part IV : Textual negotiations
13. Christine Gledhill: 'Pleasureable negotiations"
14. Valerie Walkerdine: "Video replay: families, films and fantasy"
15. Jackie Stacey: "Feminine fascinations: forms of identification in star-audience relations"
16. Janet Staiger: "Taboos and totems: cultural meanings of The silence of the lambs"
Part V : Fantasy, horror and the body
17. Carol J. Clover: "Her body, himself: gender in the slasher form"
18. Barbara Creed: "Horror and the monstrous-feminine: an imaginary abjection"
19. Linda Williams: "Film bodies: gender, genre and excess"
Part VI: Re-thinking differences
20. Jane Gaines: "White privilege and looking relations: race and gender in feminist film theory"
21. Bell Hooks: "The oppositional gaze: black female spectators"
22. Tania Modleski: "Cinema and the dark continent: race and gender in popular film"
23. Judith Butler: "Gender is burning: questions of appropriation and subversion"